A list of all music in Midsomer Murders. Please note: this is a tracking list, which means it is not yet complete.
Already watched: Pilot, Seasons 01-15, as well as information that I have already compiled before.
Note: There isn’t much to discover just yet – essays will be published gradually from late May. Until autumn, think of this more as a gateway than a library.
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A wide variety of music is played in Midsomer Murders. I’m collecting all of it – except for the background score. First, I’ll list all pieces composed specifically for the series, regardless of genre. Then I’ll sort them by genre.
Music composed specifically for Midsomer Murders
- Agnus Dei (Jim Parker) (S01E02: Death of a Hollow Man)
- NN (‚Find your life / Why should all my love just turn away? / Pretending it’s not needed in my life / And why is love a game. / Even if I show…‘) (S07E04: Sins of Commission)
- NN (‚… banished from our heart is she / Firelight and sing refrain / Vanquish darkness with her name / Evil spirits…‘) (S07E06: The Straw Woman)
- Libera Me (Jim Parker) (08×06: Hidden Depth)
- Midsomer Rhapsody (probably Jim Parker) (S08E08: Midsomer Rhapsody)
- NN (‚You gotta rock it in the cradle / Roll under the table / Never take it easy / Gotta live it nice and sleazy / Party till you’re drunk / Ain’t never gonna stop / Got nothing to lose / Sing the doll house blues with me / Well ,yeah, yeah, yeah,…‘) (After these ‚yeahs‘, Mimi dies from electric shock) (S10E04: The Axeman Cometh)
- The Ballad of Midsomer County (Seth Lakeman) (S17E03: The Ballad of Midsomer County)
Traditionals and children’s songs
- Auld Lang Syne (S06E02: Death and Dreams)
- Irish Jig – at the party, Troy plays the spoons (sorry, can’t recognise it) (S06E02: Death and Dreams)
- Sumer is icumen (Medieval English round) (S02E01: Death‘s Shadow, S09E01: The House in the Woods)
- Calon Lân (walisisches traditional hymn) (S10E05: Death and Dust)
- And the Green Grass Grows All Around (folk song from the Appalachians) (S12E05: Small Mercies) – it’s not a British song, but US-American
- Irish Reel – at the start of the Crazy Craft Race (sorry, can’t recognise it) (S12E05: Small Mercies)
- Drink to me only with thine eyes – Joyce and Cully listen to it at the concert (Ben John) (S13E04: The Silent Land)
- The North Country Lass („The Oak and the Ash“) – Joyce and Cully listen to it in the car radio (S13E04: The Silent Land)
- The Unquiet Grave – Joyce (and later Tom) listens to it at home (S13E04: The Silent Land)
Songs that were popular during the Great War and World War II
- Give Me the Moonlight: Give Me the Girl (And Leave the Rest to Me) (Albert von Tilzer) (S08E03: Orchis Fatalis)
- We’ll Meet Again (Ross Parker, Hughie Charles) (S08E08: Midsomer Rhapsody)
- Hokey Cokey (Hokey Pokey) (Al Tabor) (S10E01: Dance with the Dead)
- Goodnight Sweetheart all my prayers are for you) (Ray Noble) (S10E01: Dance with the Dead)
- I‘ll Be Seeing You (Sammy Fain) (S10E01: Dance with the Dead)
- Chattanooga Choo Choo (Harry Warren) (S10E01: Dance with the Dead)
Brass Band
- Blue Tail Fly (Traditional) (S08E01: Things That Go Bump in the Night) – it’s not a British song, but US-American
- A brass band performing a swing number I can’t identify (S08E03: Orchis Fatalis)
- Two brass pieces whose names I cannot identify (for the arrival of the bus from Causton and for the reception of the mayor) (S13E02: The Sword of Guillaume)
- And anonther unidentified brass piece during the Midsomer Classic Car Competition (S14E01: Death in the Slow Lane)
Blues, Rock, Swing
- I‘m Walkin‘ (Fats Domino) (S01E01: Written in Blood)
- Tangerine (Jack Dorsey) (S04E05: Dark Autumn)
- When You Lose the One You Love (David Whitfield) (S04E05: Dark Autumn)
- The Creep (Ken Mackintosh) – runs in the background with every murder (S04E05: Dark Autumn)
- Witchcraft (Frank Sinatra) (S07E06: The Straw Woman)
- Don‘t Worry, Be Happy (Mobby McFerrin) (S08E06: Hidden Depths)
- Dimples – I love the way you walk (Delroy Wilson); In this case, intoned by Tom Barnaby and Jack McKinley (S10E04: The Axeman Cometh)
- That’s the Way (I Like It) (KC and the Sunshine band), spoken by Jessica Wingate while blackmailing her mother (S14E01: Death in the Slow Lane)
Church Hymns
- For those in Peril on the sea (Tom Barnaby mentions it as a possible hymn that could be sung at a silver wedding anniversary service – and sings it) (S02E01: Death‘s Shadow)
- All Things Bright and Beautiful (Joyce Barnaby mentions it as a possible hymn that could be sung at a silver wedding anniversary service) (S02E01: Death‘s Shadow)
- There is a Green Hill (Joyce Barnaby mentions it as a possible hymn that could be sung at a silver wedding anniversary service) (S02E01: Death‘s Shadow)
- Onward, Christian Soldiers (Joyce Barnaby mentions it as a possible hymn that could be sung at a silver wedding anniversary service) (S02E01: Death‘s Shadow)
- Glory to thee, my God, this night (Thomas Tallis) (S08E01: Things That Go Bump in the Night)
- Abide with me (S16E02: Let Us Prey)
Christmas Carols
- God Rest Ye Merry Gentlemen (uncredited) – Carol Singers mit Joyce (S11E06: Days of Misrule)
- Hark, the Herald Angels Sing (Felix Mendelssohn Bartholdy) – Carol Singers mit Joyce (S11E06: Days of Misrule)
- O Come All Ye Faithful (disputed authorship) – Carol Singers mit Joyce (S11E06: Days of Misrule)
- Joy to the World (Lowell Mason) (S11E06: Days of Misrule)
- We Wish You a Merry Christmas (uncredited) (S11E06: Days of Misrule)
- Good King Wenceslas (Thomas Helmore) (S11E06: Days of Misrule)
Choral Works
- Jerusalem (Hubert Parry) (S05E04: Murder on St Malley‘s Day)
- unknown piece at the beginning (S09E07: Death in Chorus)
- Fair Phyllis (John Farmer) (S09E07: Death in Chorus)
- Calon Lân (Welsh traditional) (S10E05: Death and Dust)
- Daisy Bell (Harry Dacre) – programmed into an IBM 704 in 1961 at Bell Labs as the earliest demonstration of computer speech synthesis“ (IMDB) (S12E04: The Glitch)
- Kyrie (David Hewson) (S13E01: The Made-to-Measure Murders)
- Lacrimosa (from Requiem by Wolfgang Amadeus Mozart) (S13E01: The Made-to-Measure Murders & S24E01: The Devil‘s Work)
- Dies irae (from Requiem by Wolfgang Amadeus Mozart) (S24E01: The Devil‘s Work)
Arias
- An aria from Madame Butterfly by Giacomo Puccini (S03E01: Death of a Stranger)
- Habanera from Carmen by Georges Bizet (S01E02: Death of a Hollow Man)
Classical, instrumental music
- The Wedding March (from A Midsummer Night’s Dream by Felix Mendelssohn Bartholdy) (Pilot: The Killings at Badger’s Drift)
- See the Conqu‘ring Hero Comes (from Judas Maccabaeus by Georg Friedrich Handel) (S03E03: Judgement Day)
- Piano Sonata No. 11 („Rondo Alla Turca“) (Wolfgang Amadeus Mozart) (S06E02: Death and Dreams, S13E05: Master Class – someone auditions in front of the Fielding sisters)
- Nocturne op. 9 no. 1 in B flat minor (Frédéric Chopin) (S09E01: The House in the Woods)
- Plaisir d‘Amour (Jean-Paul-Égide Martini) (S09E01: The House in the Woods)
- Für Elise (For Elise) (Ludwig van Beethoven) (S09E02: Dead Letters)
- Au fond du temple saint (Tenor-baritone duet from Georges Bizet‘s Les pêcherurs de perles/The Pearl Fishers) (S09E04: Down Among the Dead Men)
- Prelude and Fugue in C major (Johann Sebastian Bach) (S09E04: Down Among the Dead Men)
- Zadok the Priest (George Frederic Handel) (S09E05: Four Funerals and a Wedding)
- Bridal Chorus („Treulich gefuehrt“ from Lohengrin by Richard Wagner) (S11E02: Blood Wedding – two times: First for Beth Porteous & Sir Edward „Ned“ Fitzroy, at the end for Cully Barnaby & Simon Dixon)
- Nocturne in C#m (Gary Schmidt) (S13E02: The Sword of Guillaume)
- A piece that I couldn’t identify (S13E05: Master Class – Zoë Stock auditions in front of the Fielding sisters)
- Children‘s Corner L. 113 (Claude Debussy) (S13E05: Master Class – Benedict Marsh auditions for Sir Michael Fielding‘s Masterclass)
- Étude Op. 10, No. 12 („Revolutionary Étude“) (Frédéric Chopin) (S13E05: Master Class – Orlando Guest auditions for Sir Michael Fielding‘s Masterclass)
- Arabesque in C major, Op. 18 (Robert Schumann) (S13E05: Master Class – Francesca Sharpe auditions for Sir Michael Fielding‘s Masterclass)
- Piano Sonata No. 8 in C minor, Op. 13 („Pathétique“) (Ludwig van Beethoven) (S13E05: Master Class – Zoë Stock auditions for Sir Michael Fielding‘s Masterclass)
- Solfeggio in C minor, H. 220, Wq. 117/2 (Carl Philipp Emanuel Bach) (S13E05: Master Class – Zoë Stock’s rehearsal with Sir Michael)
- (not sure) Prelude and Fugue in E minor, BWV 548 (J.S. Bach) (S13E05: Master Class – Zoë playing the organ)
- Étude Op. 10, No. 3 (Frédéric Chopin) (S13E05: Master Class – Francesca Sharpe’s rehearsal with Sir Michael)
- Liebestod (from Tristan und Isolde by Richard Wagner) (S13E05: Master Class – Sir Michael’s tryst with Mrs Sharpe)
- Impromptu No. 3 in G flat Major, D. 899 (Op. 90) (Franz Schubert) (S13E05: Master Class – Zoë Stock and Sir Michael during her next rehearsal, followed by the evening when Zoë is shown into his presence, and finally, during Sir Michael’s declaration of love)
- Nocturne No. 2 in E flat minor, Op. 9, No. 2 (Frédéric Chopin) (S13E05: Master Class – Benedict Marsh playing the piano in the restaurant)
- Vestri La Giubba (from Pagliacci by Ruggero Leoncavallo) (S19E02: Crime and Punishment)
- Cellosuite Nr. 1 in G-Dur (Johann Sebastian Bach) (S23E02: The Debt of Lies)
Other Music
- Who Killed Cock Robin (nursery rhyme used as a reference for the title of an episode) (S04E04: Who Killed Cock Robin?)
- We Shall Overcome (Protest song that played an important role in the US civil rights movement) (S11E03: Left For Dead)
- Soul Limbo (Booker T. & the M.G.s) – typical tune of the BBC’s coverage of Test matches (S12E04: The Glitch)
- West End Girl von Pet Shop Boys (S12E06: The Creeper)
🤓 Read more about Midsomer Murders & History
The Chronology of Midsomer County by Year or by Episodes
Deep Dives into Midsomer & History
This is an independent, non-commercial project. I am not connected to Bentley Productions, ITV or the actors.



Could you tell me please the name of the jazz standard tom barnaby listens in dark autumn s04e05 in his „luggage lp player“?